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PICASSO is DEAD MADY is ALIVE
I displayed(exposed) mainly in Germany with the gallery owners and the collectors Helmut rebmann and Hannelore Neumann possessing the biggest collection deprived of Dali to the world http: // www.art-buy.de / and Mr. Jawdat Naffouj (Salvador Dali, Leonor Fini, André Masson, Chaggall) http: // www.westpfalz-journal.de/Seiten/600Wirt schaft / Naffouj / startframe.htm. NOTE: thank you infinitely to these 2 gallery owners-collectors with whom I had a wonderful and respectful relation, verbal agreements no contract for 10 years without the slightest discord!!!! I call that of the loving world of the art.
PICASSO is DEAD MADY is ALIVE
J'ai exposé principalement en Allemagne avec les galeristes et collectionneurs Helmut rebmann & Hannelore Neumann possédant la plus grande collection privé de Dali au monde http://www.art-buy.de/ et M. Jawdat Naffouj ( Salvador Dali, Leonor Fini, André Masson, Chaggall) http://www.westpfalz-journal.de/Seiten/600Wirtschaft/Naffouj/startframe.htm. NOTE: Merci infiniment à ces 2 galeristes-collectionneurs avec qui j'ai eu une relation merveilleuse et respectueuse, des ententes verbales aucun contrat durant 10 ans sans la moindre discorde !!!! J'appelle ça du monde amoureux de l'art.
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2009
INTROSPECTIVE MADY ART
Presented by: Pharand Doren Art
First ever Toronto exhibit of expressionist artist Marie Bourdages ( MADY ART )
“Introspective: Marie Bourdages” is an inward look at the Acadian born expressionist's art spanning over two decades, from Montreal to NYC and Europe - for the first time in Toronto. Themes of angst and mortality prevail at times as animalist allegory, others in intimate narrative. Eroticism receives a new treatment across genders in nuanced, distorted images. Bourdages, also known as “Mady”, references her life experience, that of a God-fearing upbringing, a sensual awakening to as well as a situating of - her sexuality and inherent, pervasive contrasts brought on by a heightened sensitivity. Her private world is shared in her art and reaches across the board in a call to humanness first, human constructs later. Bourdages is not concerned with the rigidity of forms, but rather the immediate poignancy conveyed. She has been called “brutally honest” in early critiques, the “heir to Munch” in another. Her paintings are issued from a filterless, to not say guileless, mind. Her vision translates into something ethereal on the canvas albeit nightmarish at times. Bourdages explores neurosis-inducing situations, only to come out “exorcised” by the act of committing brush to canvas, and purged of fears. Her work is catalytic to the eye, and debunks by providing an outlet for self-expression out of the mind’s deeper recesses. The lasting effect is a tacit connectivity among people that have found a brief pillar of understanding in many a painting by Marie Bourdages.
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LIVE PAINTING VIDEO***Voice & music by MADY ART |
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About
MADY, French Canadian artist born in 1966,in Bonaventure, Gaspésie, Québec . She lives and works in Montral.
If it is the goal of every artist to lay bare the major concerns and preoccupations of his or her time so that future generations viewing the work will recognize their own situations, the art of Mady, who hails from Montréal, Québec, meets this challenge with an astonishing range of paintings that speak to her uncompromising sensitivity and equal-to-the-task, productive imagination. From her divine seascapes, which reveal the idea of serenity as a place humans are no longer capable of accessing, to her portraits and domestic scenes that feature people from all walks of life at once buoyed and burdened by the unchecked impulses of the race -- racing to where they know not -- the scope of Madys art is a mirror that reflects much of what we are and much of where wed like to be -- a contemporary fresco of Man in the truth of his striving and failure. For this exceptional result, we find only on the palettes of significant artists, paint, conscience and care mixed in equal proportion.
Robert J. Lewis, editor of Arts & Opinion
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TAWA et les CHAMANIQUES
MADY ART tatoo Ouverture 9 Octobre 2012
TAWA & The SHAMANICS
MADY ART Tatoo Opening October 9 2012
THE UNIQUE TATOO - PAINTER OF MONTRÉAL CITY TAWA & the SHAMANICS
*** By THE ART OF MADY The Painting Lady
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MADY ART EVENTS a venir ... |
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2 JUIN 2012 **** Participera à un événement Public en direct **** Informations à Venir
9 OCTOBRE 2012 **** Ouverture de TAWA & LES CHAMANIQUES *** MADY ART TATOO unique !!!!
MARS 2013 ***** SOLO SHOW **** Montréal
**** BREF les dévoilements .... à suivre !!!! GRAND MERCI **** HAVE A SUNNY DAY **** thANKS to visit my
Website MADY-ART ******
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***L'Art appartient au peuple. Je refuse que des -décideurs- du marché de l'art
aient le pouvoir de décréter si tel ou tel artiste est bon ou mauvais !
On aime ou on aime pas. C' est une question de coeur : Voici ma
clientèle cible !
The Art belongs to the people!
- My prices are accessible because I refuse the system speculator of the Market of the Art -
Who are them to judge a good or bad artist? Van Gogh died without having sold a single work. Who was in the error , them or Van Gogh ? We love or we love not an art piece ! The decision-makers decide with their financial interests, - the others with their heart - ! The others are my cible !
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http://www.facebook.com/MadyArt
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Critique par Marissa Consiglieri de chackal |
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The Art Of Mady
by Marissa Consiglieri de Chackal
http://www.artsandopinion.com/2005_v4_n2/mady.htm
Mady (Marie Bourdage) was born in Bonaventure, Quebec, in 1966. Her paintings have been exhibited in Canada, the United States, Germany, Spain and are part of many prestigious public collections: Loto Quebec (Canada) Jay S.(Usa) and Rebman (Spain).
Mady (Marie Bourdage) is an artist who handles her craft with intelligence and great sensitivity.
Water seems to have the same hypnotic effect on the painter that it has on me. The great difference is that I translate my fascination into dreams while Mady translates hers into magnificent works of art that beguile the viewer with their vastness, depth and wonderfully nuanced color and light.
Mady’s seascapes and marine mammals are as spellbinding as the real thing, capable of evoking sensations long dormant. Gazing at her work, I was transported to another place: I could feel a cool breeze and smell the ocean and I could enter this state of deep peace and relaxation that I always enter when in front of the ocean. But enough about me . . .
Mady’s approach to painting may explain the effects.
As the artist describes it, each trace left by the brush represents the segment of an idea being developed. Following a continuous line -- starting from a point, without interference or distraction -- makes possible the interpretation, through form, of “the invisible existence of a dual reality”; this duality is defined by the artist’s intuition. Between perception and interpretation there is a gap and it is within this gap that her brush “tries to establish certain links by connecting one point to the next” following an instinctive and natural progression. Thus, she creates a visual system, an organized data base that has been informed by both the intellect and gut. The finished image is an amalgam of references derived from various timeless emotional memories assembled, reorganized and recorded on new space, that of a blank canvas. Even the most minimal trace becomes part of the whole process from the first initial mark on the canvas.
When confronted with Mady’s creations, the viewer may not be able to uncover all the intellectual and emotional facets inherent in the painter’s creative process but will certainly be prompted unconsciously to explore his own.
The artist states that when the final trace of the brush appears, she has in front of her eyes “a canalized emotional charge. A pictorial organization of harmoniously coiled overlapping raw and rational emotion: the latter borne from the satisfaction of having made a success of something.” And successes they are!
Mady is commanding a great deal of attention these days and deservedly so. Lotto Quebec recently acquired not one but two of her works and there is an up-coming article about the artist and her work in the spring issue of Vie des Arts .
The work of Mady is on permanent exhibition at her studio in Montreal (514-844-3440). To contact the artist, write to Arts Editor, Marissa Consiglieri de Chackal at: arts@artsandopinion.com
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ACHETEZ*BUY en Ligne/Online *Commentaires/comments*Bienvenue |
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